Organization Culture Development and Success of the Organization Essay

Organization Culture Development and Success of the Organization - Essay Example The intention of this study is organization culture as a USP or â€Å"Unique Selling Point† of a firm that differentiates itself from its counterparts. Organizational culture means the way human resource in an organization acts and performs its duties. The culture in an organization is usually developed by top leadership which is translated to the production workers or managers at the lower level of the hierarchy. Any organization that fails to develop a unique culture fails to communicate its value to its customers and hence loses its vividness in the eyes of its customers. In the 21st, the concept is more important than ever before because of the intensive competition by firm. Not only the firms in the same country are fighting for a same job, but outsourcing has included the foreign firms also in the fight for a job that comes to the market. In the midst of so heavy competition, it has become increasingly important for firms to â€Å"Break through the clutter†. No fi rm can break through the clutter or become vivid unless it has something other than that the conventional competition is offering. Many firms, as a result, have increased their focus on organizational culture. Many are trying to develop a culture that will help them gain an edge over their competition. Organizational Culture, apart from helping an organization in all of these, also help helps an organization in developing the ideal characteristics of its workforce overtime without having to incur the heavy training expense that also entails loss of productivity and may lead to boredom and job turnover. It is also suggest by organizational behavior experts to develop a long term strategy based on an organizational culture in order to achieve firm’s targets and goals. The long term strategy can be supplemented by incorporating several training regimes that are used to make sure that the organizational culture has been properly engraved into the conscience of the workers and eve ryone in the organization is following the same culture that is yielding synergy and resulting in achievement in difficult tasks and goals which are not possible unless everyone in the organization is following the same culture. (Jin, Drozdenko, & Bassett, 2007) Organizational Culture leads to more efficiency in the organization. In fact, organizational culture improves the efficiency because it gives the sense of direction to employees and tells them how they are supposed to act in a variety of situation. This reduces their response time and helps them focus on the customer satisfaction more that leads to very satisfactory results. This increases organization wide efficiency of the human resource and all the staff in the organization allocates more time to core competencies. This also increases job satisfaction which leads to customer satisfaction and towards profitability of the organization. (Denison & Mishra, 1995) Organizational Culture also affects the knowledge management pra ctices of an organization. Knowledge management is extremely important for an organization as concluded by Toyota Motor Company, UNIX, Microsoft and Mercedes-Benz. One cannot imagine an organization to achieve success if it does not pay any heed to the technology development and knowledge management flows within the organization. It is extremely difficult to assume the success of the organization without the technology factor playing its part. Hence, indirectly organizational culture plays an important role in the development of an organization and its technology management and knowledge management practices which are now considered vital for the success of the organization. So much so that even the large organizations are making their old staff who seemed incompatible to technology are training them to make them work on the technology of the new era. Of course all of this is not possible without organizational cu

Darwin Essay Example | Topics and Well Written Essays - 1500 words

Darwin - Essay Example So it could be well said that these two articles is contemplating and criticizing Darwin’s intellectual and scientific quality along with his sense to respect theological values. Darwin intelligently investigated about human evolution and he came to a conclusion that God created few animal species and they by natural selection progressed to become humans. Everyone knows the fact that our closest DNA match agrees with apes. The intelligent level and social existence of apes match with human beings on a great level. But in the journal article by Cosans there is a contradiction on the fact where theology entangls with evolution. In this article Cosans put forward the statements mentioned by eminent anatomist Owen, where he suggests that God has no power in the human evolution theory. Considering the journal by Cosans, it cannot be stated that Darwin only concentrated on evolution as a divine process. He studied the subject visiting many earth zones and found that life originated from microorganisms and it went on to evolve into animals and ultimately in to intellectual beings. Darwin here is not prophesying on facts which he has not researched on. He has investigated on organisms like bacteria to apes to understand human evolution. Now in the journal by Cosans ,we can find that Owen retaliates on the fact that human evolution can be seen from a theological perspective.Owen as an anatomists look at the flaws of Darwin’s scientific research conclusion. Darwin here looked at creations and the mystery hidden behind its life and evolutionary process which has morphed them to become animals and later into human being by natural selection Here in this journal titled† Was Darwin a creationist† a question is raised by Cosans whether Darwin itself is adding divinity with evolutionary process or is evolutionary theory with a theological perspective is a

Realist style Essay Example for Free

Realist style Essay The winning spirit of our modern painting derives from Courbet. He was the individualist with strong elbows (George W. Chrystal, 1908). Courbet began the pragmatist movement when he exhibited his own paintings. By 1850 Romantic painting had become remarkably affluent. Courbets painting based around what he witnessed at the funeral of his grand uncle became the first masterwork in the Realist style. People were uninterested with romantic and classical paintings. There was a strong desire among many people for a unique painting, which sensibly portrayed the real world. When Courbet attended the funeral of his great uncle at Ornans, He was inspired and later painted the massive canvas, Burial at Ornans. It was one of the exceptional subjects in art illustrates an event with funerals. For his painting, he picked people as a model who had been to the funeral and created the new style. It leaves an impression of realistic style at the people of Ornans (Rubin 1997). People have mostly negative ambience with death and dying. Gustave Courbet’s underlying principle behind creation of such realistic painting is to utilize artistic talent as a way toward self-awareness and to transform the customs, the ideas. Courbet did not want to commune any religious message with his work. Courbet viewed this work as not just a funeral for his uncle, but in authentic truth a funeral for romanticism as a style (Rubin, 1977). Courbet’s paintings are generally viewed as realist one, increasingly concentrating on innocuous landscapes and seascapes for a bourgeois clientele. He had become extremely prominent during 1870 for his unique work. He captured middleclass marketplace by producing his painting on large scale. Forgers also started flooding the market with fake ones. In the United States, Courbets art was exhibited more than a dozen times by the mid-1870. The results were mixed: sometimes he churned it out; sometimes he didnt (New York Times). Courbet pushed towards a realistic style and created different, rare look as compared to other paintings in general like classical or romantic. Gustave Courbet painted in a way, which allowed artists to paint the world around them as they saw it, rather than making it complicated to understand. Courbet established the right of the artist to be contemporary and unconventional, to be free from the need of adding an elevating sentiment or an imposed message to the representation of realism (Nochlin 1976). Courbets painting of a young man and an old man breaking stones was a work of pragmatism which still had a trace of romanticism. He depicted the idea and the event without romanticizing it, just showing the workers engaged in their daily activity (Kleiner 2001). I am above all a total realist, he confessed on one of his many proclamations (Arthur C. Danto, 1989). Work- cited 1) Arthur C. Danto; Courbet; Magazine Title: The Nation. Volume: 248. Issue: 3. Publication Date: January 23, 1989. Page Number: 97. 2) George W. Chrystal, Julius Meier-Graefe, Florence Simmonds; Modern Art: Being a Contribution to a New System of Aesthetics. Publisher: G. P. Putnams Sons. Place of Publication: New York. Publication Year: 1908. Page Number: 219. 3) Kleiner, F. et al; Gardner’s Art Through the Ages. Eleventh Edition. Harcourt, Inc. , Orlando, Florida; 2001. 4) Nochlin, L. Gustave Courbet: A Study of Style and Society. Garland Publishing Inc. , New York; 1976. 5) Rubin, J. Courbet. Phaidon Press, London. 1997.

Analysis of Beyoncés Formation Video (Black Lives Matter)

Analysis of Beyoncà ©s Formation Video (Black Lives Matter) Beyoncà ©s Formation Video (Black Lives Matter)A Literary Analysis Research Paper Abstract Beyoncà © is one of the singers most recognized in the world and United States of America. She assumed a political role since some events aroused against Afro-American People, related with racism and police brutality. She created the musical video Formation to transmit a message to the people in favor of black lives matter. Keywords: Beyoncà ©, Video, Black Lives Matter, Illuminati, Creole, Alabama, Louisiana, Black Culture, Rapper Beyoncà © launched in 2016 her album Lemonade, including one controversial song, the number twelve in the list whose name is Formation. This unique song is accompanied with an award winning, well-produced and elaborated video, released on purpose, next to the birthday anniversary of Trayvon Martin and Sandra Bland, whose deaths are well remembered by Afro-American people as victims of brutal law enforcement and racism. Beyoncà ©s Formation messages are about many more things than simple racism and police brutality. This song delivers messages about feminism, Creole culture, Beyoncà © pride, Black pride, Black power, sexism, LGBT, Hurricane Katrina rememberings, and Beyoncà © intention to dispel the rumor that she is an Illuminati. This video masterfully reveals to faces of Beyoncà © at the same time, as an Entertainer and an Activist. (Caramanica Wortham, 2016). All Formation messages could be classified in major and minor messages. This writing only deals only with major messages, and minor will be ignored. The major messages are one of this two possibilities: direct and explicit messages, or in the other hand are ambiguous, subliminal or hidden messages. This visual and musical work apparently deliver inconsistent sentences with multiple meanings, but that aspect is irrelevant to the first time viewer, because the video is very rich on visuals and plays sticky rhythms that distracts him from the powerful hidden and subliminal messages. This video is holistically great, verified by its numerous well written articles and awards received. Under a rigorous and serious analysis, many messages emerge with multiple meanings. Specially two types of messages could be identified: first, direct or non-ambiguous messages, and second, ambiguous messages with multiple or hidden meanings. Any person, not necessarily an expert will be able to recognize that the lyrics and visuals of this video were semantically engineered by a linguist or carefully designed by an expert on semiotics. Some messages are direct and non-ambiguous like: The Hurricane Katrina aftermath, the Police signs, Beyoncà © pride, Black pride, Black power, Creole Culture, and the effort to dispel the rumor that Beyoncà © are an Illuminati. On the other hand, there are ambiguous messages delivered with multiple or hidden meanings about sexism and LGBT. Those messages appear to the viewer to have multiple interpretations, but the final meaning decision is left free to the particular audience, their will, their virginal minds or the predominant psyche of the individual. Every sentence has two interpretations: the vulgar and the non-vulgar, the formal and the non-formal, the explicit and the implicit message. One of the first message delivered is about the Hurricane Katrina, when the video starts with a living phrase of a killed rapper, whose name was Messy Mya. The voice of the rapper expresses: What happened at the New Wilins? (beyonceVEVO, 2016), then the video shows up many scenes related with New Orleans Katrina floodings. Along the video are Police signs delivered with an apparent neutral connotation, but at the end they suggests indirectly a judgement to the collectively subconscious mind, who has been extensively influenced by the media with the events on police brutality. Beyoncà © is laying at the top of a New Orleans white and blue car, with the word police, partially submerged in the flooding water, sitting squatting, while the back scene displays a neighborhood with flooded houses. Some police departments may considered that scene disrespectful. In other scene, after a sequence of images of New Orleans daily living, the observer can see the word police at the back of a man that resembles a guard. Once again, the video attracts the mind of the viewer to the word police. It is unforgettable the scene when the young boy is dancing with a New Orleans Style, in front of an anti-riot line of policemen and they rise their hands, after that the camera shows a graffiti in the wall with the legend Stop Shooting Us (beyonceVEVO, 2016), this could be interpreted in many ways, but one of them, is the triumph of the weak using non-violent methods, over those that represent the governmental power By the end of the video, the police car got totally submerged under the water, with Beyoncà © lying at the top, drowning, giving the impression that the police problem is a lose-to-lose situation. This is confirmed by some critics affirmations that Beyoncà © is not trying to defame the police. (Logan, 2016). Black power is depicted when Beyoncà © shows up in an elegant long black dress with a big black hat, agitating his hand with a piece of his long hair in circles surrounded by Afro-American guys, also dressed in etiquette black clothes, at the door of an antebellum house, the image evoked in the mind of the viewer is about the power and the way that wealthy and powerful black people lives. The Black power is also depicted in the scene that shows a lonely black cowboy with a golden necklace. An explicit message occurs when Beyoncà © try to defeat the rumors affirming that she is an illuminati, using a unique phrase: Yall haters corny with that Illuminati mess (beyonceVEVO, 2016). The video exhibits some dual interpretations with sentences like this: Paparazzi, catch my fly and my cocky fresh (beyonceVEVO, 2016). This message could be interpreted as a sexual reference or a pride reference. Also there are some explicit sexual references, like: When he fuck me good, I take his ass to Red Lobster, cause I slay (beyonceVEVO, 2016), and there are ambiguous, hidden or second meaning sexual references, when she said: I got hot sauce in my bag, swag (beyonceVEVO, 2016), this sentence has two simultaneous interpretations: first as a reference to Creole culture in which women carries hot sauce in their purses, or a female sexual reference. The controversial word swag may be used in this video as a synonym of promotional items, stylish confidence, or with a sexual orientation reference, also this word correspond to a very well-known LGBT word that means secretly we are gay. But the most incredible fact is that the word slay is mentioned 49 times along the video, probably, with the meaning of extraordinary or killer performance, but lets consider that is also a well-known urban sexual reference. Beyoncà © pride is evident when she expresses Im so reckless when I rock my Givenchy dress (beyonceVEVO, 2016), or Im so possessive so I rock his Roc necklaces (beyonceVEVO, 2016), or Earned all this money, but they never take the country out me (beyonceVEVO, 2016). It is unavoidable that The Black and Creole culture message earned a strong reference in this video, with direct and explicit sentences like this: My daddy Alabama, momma Louisiana (beyonceVEVO, 2016), You mix that Negro with that Creole, make a Texas bama (beyonceVEVO, 2016), I like my baby hair with baby hair and afros (beyonceVEVO, 2016), I like my Negro nose with Jackson Five nostrils (beyonceVEVO, 2016). There is a direct reference to feminism and women leadership when she says: Okay, ladies, now lets get in formation (beyonceVEVO, 2016). In the second middle of the video there is a black man holding in his hand a newspaper named The Truth, whose cover story displays the phrase More than a Dreamer with the photo of Martin Luther King, suggesting that his Leadership was bigger than his famous discourse I have a Dream. The final conclusion is evident. Beyoncà ©s Formation video direct and indirect messages are multiple and not only about simple racism and police brutality, but also was produced with the intention to reveal some paradoxical aspects of the southern living in the United States. This well acclaimed by the critics video was produced by professionals with the same intention as the Black Lives Matter movement, probably become his Anthem. WORKS CITED [beyonceVEVO]. (2016, December 9). Beyoncà © Formation. [Video File]. Retrieved from https://www.youtube.com/watch?v=WDZJPJV__bQ. Caramanica, J. , Morris, J. and Wortham, J. (2016). Beyoncà © in Formation: Entertainer, Activist, Both?. New York Times, Retrieved from https://www.nytimes.com/2016/02/07/arts/music/beyonce-formation-super-bowl-video.html?_r=0 This is a critical review of Beyoncà ©s Formation Video is made by three recognized critics, in the form of a dialog. They suggest that Beyoncà © is an activist and at the same time she is an entertainer. This source is reliable because its Currency (2016), Relevance (Critical review), Authority (New York Times, Best Recognized journalists), Accuracy (Content reliable and credible), and Purpose (the point of view appear objective and impartial). Logan, B. (2016). No, Beyoncà © is not bashing the police: Heres what her new song Formation is really saying. Business Insider. Retrieved from http://www.businessinsider.com/the-messages-in-beyonces-formation-2016-2. This article corresponds to a review of Beyoncà ©s Formation Video and clears out to the audience that Beyoncà © is not ridiculing the police. In the opposite side this video is a call for peace and an altruist apology to the black culture in America. This source is reliable because its Currency (2016), Relevance (Critical review), Authority (Business Insider, Recognized journalists), Accuracy (Content reliable and credible), and Purpose (the point of view appear objective and impartial). Macpherson, A. (2016). Beyoncà ©s Formation review a rallying cry that couldnt be more timely, The Guardian, Retrieved from https://www.theguardian.com/music/musicblog/2016/feb/08/beyonce-formation-review-super-bowl-rallying-cry-black-consciousness This article corresponds to a review of Beyoncà ©s Formation Video that states that the world tour is timely deliveries. This source is reliable because its Currency (2016), Relevance (Critical review), Authority (The Guardian, Best Recognized journalists), Accuracy (Content reliable and credible), and Purpose (the point of view appear objective and impartial). Hoby, H. (2016) Beyoncà ©: Formation tour review defiant, victorious and glorious, The Guardian, Retrieved from https://www.theguardian.com/music/2016/apr/28/beyonce-formation-tour-review-defiant-victorious-and-glorious. This article corresponds to a review of Beyoncà ©s Formation Video that states that this is the event of the year, masterfully produced. This source is reliable because its Currency (2016), Relevance (Critical review), Authority (The Guardian, Recognized journalists), Accuracy (Content reliable and credible

Free College Essays - Shakespeares Sonnet 147 :: Sonnet essays

Sonnet 147 SONNET CXLVII My love is as a fever, longing still For that which longer nurseth the disease, Feeding on that which doth preserve the ill, The uncertain sickly appetite to please. My reason, the physician to my love, Angry that his prescriptions are not kept, Hath left me, and I desperate now approve Desire is death, which physic did except. Past cure I am, now reason is past care, And frantic-mad with evermore unrest; My thoughts and my discourse as madmen's are, At random from the truth vainly express'd; For I have sworn thee fair and thought thee bright, Who art as black as hell, as dark as night. PARAPHRASE OF SONNET CXLVII My love is like a fever, still longing, For that which feeds the disease, Feeding on that which prolongs the illness, All to please the unhealthy desires of the body. My reason, love's doctor, Angry that I do not follow his directions, Has left me, and desperate I find that desire Leads to death, which physic (reason) will not allow. Now reason is past caring, now I am past cure, And I am frantic with continual unrest; My thoughts and my words are like a madman's, Lies foolishly uttered; For I thought you were moral and bright (shining as a star), But you really are black as hell and dark as night. Analysis Shakespeare's scathing attack upon the morality of his mistress exemplifies their tumultuous and perplexing relationship. The three quatrains outline the poet's inner struggle to cope with both his lover's infidelity and the embarrassing self-admission that he still desires her to gratify him sexually, even though she has been with other men. The poet yearns to understand why, in spite of the judgment of reason (5), he still is enslaved by her charms. Confused by his own inexplicable urges, the poet's whole being is at odds with his insatiable "sickly appetite" (4) for the dark lady. He deduces in the final quatrain that he surely must be insane, for he calls his mistress just and moral when she obviously is neither. Not until later sonnets (150-1) do we see a change of tone and a cool-headed acknowledgment of the recklessness of the whole affair. In Sonnet 151, the poet admits that he cannot continue the relationship because it betrays his "nobler part" (6) i.

The Life Of Mahatma Ghandi Essay -- essays research papers

Mahatma Gandhi Introduction Mohandas Karamchand Gandhi, the preeminent leader of Indian nationalism and the prophet of nonviolence in the 20th century, was born, the youngest child of his father's fourth wife, on Oct. 2, 1869, at Porbandar, the capital of a small principality in Gujarat in western India under British suzerainty. His father, Karamchand Gandhi, who was the dewan (chief minister) of Porbandar, did not have much in the way of a formal education but was an able administrator who knew how to steer his way between the capricious princes, their long-suffering subjects, and the headstrong British political officers in power. Gandhi's mother, Putlibai, was completely absorbed in religion, did not care much for finery and jewelry, divided her time between her home and the temple, fasted frequently, and wore herself out in days and nights of nursing whenever there was sickness in the family. Mohandas grew up in a home steeped in Vaishnavism (Vaisnavism)--worship of the Hindu god Vishnu (Visnu)--with a strong tinge of Jainism, a morally rigorous Indian religion, whose chief tenets are nonviolence and the belief that everything in the universe is eternal. Thus he took for granted ahimsa (noninjury to all living beings), vegetarianism, fasting for self-purification, and mutual tolerance between adherents of various creeds and sects. (see also Index: ahimsa, or ahimsa) Youth. The educational facilities at Porbandar were rudimentary; in the primary school that Mohandas attended, the children wrote the alphabet in the dust with their fingers. Luckily for him, his father became dewan of Rajkot, another princely state. Though he occasionally won prizes and scholarships at the local schools, his record was on the whole mediocre. One of the terminal reports rated him as "good at English, fair in Arithmetic and weak in Geography; conduct very good, bad handwriting." A diffident child, he was married at the age of 13 and thus lost a year at school. He shone neither in the classroom nor on the playing field. He loved to go out on long solitary walks when he was not nursing his by now ailing father or helping his mother with her household chores. He had learned, in his words, "to carry out the orders of the elders, not to scan them." With such extreme passivity, it is not surprising that he should have gone through a phase of adolescent rebel... ...reading John Ruskin's Unto This Last, a critique of capitalism, he set up a farm at Phoenix near Durban where he and his friends could literally live by the sweat of their brow. Six years later another colony grew up under Gandhi's fostering care near Johannesburg; it was named Tolstoy Farm after the Russian writer and moralist, whom Gandhi admired and corresponded with. Those two settlements were the precursors of the more famous ashrams (ashramas) in India, at Sabarmati near Ahmedabad (Ahmadabad) and at Sevagram near Wardha. South Africa had not only prompted Gandhi to evolve a novel technique for political action but also transformed him into a leader of men by freeing him from bonds that make cowards of most men. "Persons in power," Gilbert Murray prophetically wrote about Gandhi in the Hibbert Journal in 1918, "should be very careful how they deal with a man who cares nothing for sensual pleasure, nothing for riches, nothing for comfort or praise, or promotion, but is simply determined to do what he believes to be right. He is a dangerous and uncomfortable enemy, because his body which you can always conquer gives you so little purchase upon his soul."

Thermodynamics of the Dissolution of Borax

CHEM 212 Laboratory – Dissolution of Borax Formal Lab Report Instructions Title Page: Experiment title, your name and partner name, course and section number, date, Signed honor code statement, and abstract. I (your name here) pledge that this assignment has been completed with accordance to the George Mason University Honor Policy as well as the policy set by the course. This work is my own and bears no resemblance to any other student's work (past or present). x__(Signature)______ Purpose Reference Materials and Chemicals Reaction: Procedure Results: Raw Downloaded Data Calculated Data for each temperature: oles of HCl moles of borax concentration of borax Ksp ?G- using both equations (A and B! ) Sample calculations – calculations of your data alone for all of the items listed above ? Graph lnK vs 1/T Show a trendline and provide the R2 value Determine ? H (kJ/mol) and ? S (J/mol K) from the graph SHOW HOW YOU DO THIS!! Printing Tables: ? Large tables should be printe d in the landscape mode and sometimes it might be necessary to go to â€Å"page setup† and select â€Å"Fit to 1 page† to make the page fit on one page. ? Include column and row headings on the printout so that the instructor can more easily understand equations used.This can be done by going to File > Page Setup > Sheet tab > Select â€Å"Row and Column Headings†. Discussion: In your discussion section address the following questions: ? Why is it unnecessary to precisely measure the amount of solid borax used? (This answer should be greater than 3 sentences in length! ) ? Should Ksp vary with temperature? Does it? Why or why not? ? Does the graph of ln (Ksp) v. 1/T have any deviating values? If so why? What could be the sources for these errors? ? Discuss the logic behind the determination of ? H and ? S.